Photographers can now develop their Hasselblad medium format RAW files natively in Capture One… as the rivalry started with ...

The Vision Prime lineup now grows from the original 24/35/50mm T1.4 trio to six lenses, covering ultra-wide through medium ...

Designed for filmmakers, colorists, and VFX artists, SwitchHDR, which expands Beeble’s suite of AI tools, is available ...

Welcome to Tool Tip Tuesday for Adobe Premiere on ProVideo Coalition When your audio hits the red, the top of the audio mixer ...

We are living in an era of astonishing innovation and relentless obsolescence. Every year, new cameras are announced, ...

If you’re used to lift, gamma, and gain, you’re used to thinking in three parts: shadows, midtones, and highlights. That ...

The new Leica SL3-P is suitable for demanding film productions but also for high-quality hybrid workflows as it allows ...

Conceived as a classic, soul-stirring trio for full frame and VistaVision PL/EF cinema systems, the premier set includes ...

Most editors approach color as a clip-by-clip task. That model works for simple timelines, but it does not scale. Every ...

You have ninety layers in a composition. They all need to move, but they can’t all move at once. Instead, they need to arrive ...

The three new hard reflectors for Profoto flat front strobes and point-source LEDs are designed to push your output further ...

Adobe has announced that it’s acquiring Topaz Labs. Anybody in post-production knows Topaz as create some of the best video ...